HomeFC CompetitionDmitry Shishkin Etude in...

Dmitry Shishkin Etude in C major Op 10 No 1 first stage

- A word from our sponsors -

spot_imgspot_img

Most Popular

More from Author

Chopin: Piano concerto N. 2, op.21

Strings of the Nordwestdeutsche Philharmonie led by Yves Abel and musician...

Rondo à la Mazur in F major , Op. 5

The Rondo à la Mazur is one of the author's previous...

Dong hyek lim : Chopin piano concerto No.2 3rd mov. 2005

At the 15th Chopin international piano competition, Dong hyek lim performs...

- A word from our sponsors -

spot_imgspot_img

Read Now

Chopin/Sarasate: Nocturne in E-flat major Op. 9 No. 2

Frederic Chopin's compelling lyricism made the French-Polish arranger one of the most cherished and persuasive specialists of the Romantic Age. The fantastic, immortal tune of the Nocturne Op. 9 No. 2 in E-level Major is among his generally well known. Violin player Bomsori and musician Rafał Blechacz are...

Martha Argerich 1965 VII Chopin Piano Competition

Polonaise A flat major op.53 Mazurka a minor op.59 no 1

Introduction and Polonaise brillante in C major, Op. 3

Polonaises Chopin composed around 23 polonaises all through his life. His most renowned models are the Military' Polonaise in A, 'Brave' or 'Drum' Polonaise in A level. Like quite a bit of Chopin's music, the greater part of the pieces are composed for solo piano, yet the Andante...

Warsaw: saw Chopin at first

In Warsaw Studies. In 1826, Chopin started the following stage in his schooling. He selected at the Main School of Music joined to Warsaw University, which was controlled by Józef Elsner. After his first year, Elsner noted: 'exceptional fitness'. After a year, Chopin made his initial two genuine...

Nocturne in C sharp Minor

Young Polish-Canadian musician Jan Lisiecki performs Nocturne in C Sharp Minor by Frédéric Chopin as reprise during his introduction proms execution.

Mazurka in F sharp minor, Op. 6 No. 1

At the top of his creation 6, Chopin set a Mazurka in F sharp minor - the extremely one which, with its underlying topic, introduces that recent trend which is so exceptionally normal for Chopin. Simultaneously, there is no question that we have before us, yet poeticised...